Croatia’s Strahinja Arbutina has forcefully sliced out a niche in the last five years over a slew of tapes and a few 12”s (for the likes of Bank NYC and London’s Natural Sciences amongst others), as well as running his own formidable imprint, low income $quad. Across them, Arbutina has been unrelenting in his pursuit of Total Heaviness, using all available modes of electronic assaultery. Assuming clubs are able to re-open again one day, I could imagine many of the tracks from PKMMS throttling audiences from sound systems the world over in more adventurous sets.