Optic Sink's Natalie Hoffmann (NOTS) creates a musical paradox: an endeavor that doesn't seem to belong to any particular time or place. She constructs with sounds that are synthesized and stripped down, yet bristling with urgency and brutalist emotion. With percussionist Ben Bauermeister (Magic Kids, Toxie, A55 Conducta) by her side, the two set up camp on the post-punk side of the minimal electronic scene.