Un Uomo Da Rispettare translates to "A Man to Respect," which can easily be said of Ennio Morricone himself: the unparalleled maestro of the soundtrack. This 1972 crime film stars Kirk Douglas as a master safecracker at a crossroads in his life, emerging from prison yet tempted by one last big job.
Morricone builds the main theme around Cicci Santucci's flugelhorn as riveting leitmotifs reprise amidst variations of noir-jazz abstraction to frame the composer's grand vision. A strident, two-note piano phrase sets the mood of heightened tension, while muted timpani and trance-like descending bass patterns sweep dramatically across the cinematic stereo field.
On "18 Pari," slinky rhythms and softened wah-wah guitars offer a distinctly Italian library music, adding elements of lightness to the overall avant-garde score. Un Uomo Da Rispettare's dissonant chords and angular arrangements recall Morricone's free improvisation work with Gruppo D'Improvvisazione Nuova Consonanza.