As a regional teen with a handful of Stooges, Saints and Velvet Underground CDs, I was convinced that "punk-before-punk" was the pinnacle of culture. Visiting Electric Eels incredible geocities website and hearing a few low bitrate mp3s made their mythology of Cleveland's Electric Eels loom very large.
20 years later I am so so so very tired of conversations about "the first punk band" and am more and more convinced that maybe, just maybe, punk isn't a real or worthwhile measuring stick. (Note: that doesn't mean the communities that formed post-77 media spectacle aren't very meaningful).
Anyway how do the Electric Eels hold up now that one-dimensional transgression and notoriety have lost their lustre? They sound better than ever! This band rules for a more messy and complex set of metrics.
For all the talk of nihilism there's an obvious love, but also urge to deconstruct, the primitive origins of rock 'n' roll, with a freedom and spice coming from Albert Ayler's ghostly free jazz.
It’s been a while since I've whipped out their other collections but this feels like the definitive document of one of the best to ever do it! - Nic
20 years later I am so so so very tired of conversations about "the first punk band" and am more and more convinced that maybe, just maybe, punk isn't a real or worthwhile measuring stick. (Note: that doesn't mean the communities that formed post-77 media spectacle aren't very meaningful).
Anyway how do the Electric Eels hold up now that one-dimensional transgression and notoriety have lost their lustre? They sound better than ever! This band rules for a more messy and complex set of metrics.
For all the talk of nihilism there's an obvious love, but also urge to deconstruct, the primitive origins of rock 'n' roll, with a freedom and spice coming from Albert Ayler's ghostly free jazz.
It’s been a while since I've whipped out their other collections but this feels like the definitive document of one of the best to ever do it! - Nic