{"title":"Experimental Sale","description":"","products":[{"product_id":"liberez-way-through-vulnerability-lp","title":"Liberez - Way Through Vulnerability LP","description":"","brand":"Alter","offers":[{"title":"Default Title","offer_id":38026658742454,"sku":"ALT43","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a2197464711_10.jpg?v=1613033758"},{"product_id":"m-ax-noi-mach-on-the-edge-lp","title":"M Ax Noi Mach - On The Edge LP","description":"\u003cspan\u003ePhiladelphia native and arch noise provocateur M Ax Noi Mach, aka Robert Francisco, releases On The Edge; his first full-length LP in six years. Recorded once again with the help of Arthur Rizk (Prurient, Power Trip, Cold World, etc) at Salomons Gate in 2014, this new record chronicles some of M Ax Noi Mach’s heaviest, most intense recordings to date; their minimal, bare immediacy comes from primal desires brought to a boiling point in the US city he calls his home.\u003c\/span\u003e\u003ciframe style=\"border: 0; width: 100%; height: 406px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1405378885\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/maxnoimach-alter.bandcamp.com\/album\/on-the-edge\"\u003eOn The Edge by M Ax Noi Mach\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Alter","offers":[{"title":"Default Title","offer_id":38026659233974,"sku":"ALT25","price":14.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a1508644940_10.jpg?v=1613033772"},{"product_id":"maria-moles-opening-lp","title":"Maria Moles - Opening LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA percussionist based in Melbourne known for her work with Francis Plagne, Adam Halliwell, and On Diamond, ‘Opening’ is Maria Moles’ solo debut. Although a drum-centric album, this is by no means a drum solo nor the usual barrage of rhythms that one may expect from many free improv percussionists. Side A features a meditative and considered movement through the kit from lusher tolls of cymbals and bells through to sharper passages of stick-based drumming, with Side B more heavily reliant upon synthesisers and electronic processing. Rhythms abound but never feel like they get stuck into strict grids. In a weird way the album most immediately recalls Jon Gibson’s ‘Visitations’ or in parts even Steve Reich’s ‘Drumming’ (but without the maths). -Mitch\u003c\/span\u003e","brand":"Nice Music","offers":[{"title":"Default Title","offer_id":38060388450486,"sku":"NM036V","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a2164158063_10.jpg?v=1613692175"},{"product_id":"golden-syrup-golden-syrup-lp","title":"Golden Syrup - Golden Syrup LP","description":"\u003cp\u003e'Golden Syrup' is a sharply erudite collection of sounds and songs, brandished in the gleam of Retallick's starkly HD reflections of her environment and informed by her multidisciplinary studies in sound and art. The disarming directness of the songs lies in her unflinchingly bold vocal delivery; a darkly ornate musical infrastructure ominously arches around this performance. Every beat and tone a cluster of inseparable synthetic and organic elements, piled delicately into the night sky. A sense of the modern Australian landscape becomes overwhelmingly tangible in the live show, which features her curiously engaging video work making for an affecting multi-sensory experience.\u003c\/p\u003e","brand":"Nice Music","offers":[{"title":"Default Title","offer_id":38060390023350,"sku":"NM019V","price":17.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a3752449823_10.jpg?v=1613692188"},{"product_id":"arek-gulbenkoglu-a-gift-like-a-hollow-vessel-lp","title":"Arek Gulbenkoglu - A Gift Like A Hollow Vessel LP","description":"Melbourne based artist Arek Gulbenkoglu presents his second full length album for Penultimate Press.\n\nFollowing on from the 2017 release Three days afterwards, A gift like a hollow vessel sees a sharper scalpel at play resulting in a more nuanced release which unfolds a curious journey of suburban psychedelia.\n\nMaterial source from voice and body sounds, recording of non-musical processes, actions and events, breath, tapes of animal sounds slowed and sped up, processed field recordings, electronics, percussion, tape delay, sample of old folkways records and Esperanto text to voice translations.\n\n\u003ciframe style=\"border: 0; width: 100%; height: 208px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3635786395\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/arekgulbenkoglu.bandcamp.com\/album\/a-gift-like-a-hollow-vessel\"\u003eA gift like a hollow vessel by Arek Gulbenkoglu\u003c\/a\u003e\u003c\/iframe\u003e","brand":"RIP Society Distribution","offers":[{"title":"Default Title","offer_id":38073168887990,"sku":"","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/R-12577473-1537950094-6986_jpeg.jpg?v=1613899441"},{"product_id":"sarah-hennies-the-reinvention-of-romance-2lp","title":"Sarah Hennies - The Reinvention Of Romance 2LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“Just so you know… this is crazy music” – Anonymous customer. To be fair, this is not music people are used to hearing in public and they did experience its most challenging movements (side 1). But over these four sides these new compositions by Sarah Hennies, performed by Ashlee Booth (cello) \u0026amp; Adam Lion (percussion), feel immersive, intimate, and moving in a way I could not have imagined.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSarah Hennies is composer and percussionist based in upstate New York, one notch on her resume is providing the “New York Drums” on The Native Cats – John Sharp Toro album. Over these 90 minutes we have real deep tonal exploration and peculiar shifting patterns that evoke very human feelings in a manner similar to John Gibson or Ellen Fullman. A record that fits well in the Astral Spirits stable of adventurous new music.\u003cbr\u003e-Nic\u003c\/span\u003e\u003c\/p\u003e","brand":"Midheaven","offers":[{"title":"Default Title","offer_id":39249218404534,"sku":"7.67871E+11","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a2369494205_10.jpg?v=1614156375"},{"product_id":"drew-mulholland-a-haunting-strip-of-marshland-ness-lp-rsd-20","title":"Drew Mulholland - A Haunting Strip Of Marshland: Ness  LP","description":"Drew Mulholland knows how to listen to a place. How to lay ears to a landscape and catch the voices and utterances that surface into the skull. But fidelity is not his aim here ÐÐand nor should it be with such a deceiving, treacherous site as The Ness. The tracks you hear are, in their distortions and manipulations, truer to The Ness' unsettlements and resonances than any others I know. They hover somewhere between field-recording and haunting. Acoustic elements have been worked over until they are scarcely recognisable, surviving scantly as hyper-mutated catalysts. Mulholland even used the place itself as the distortive force; he gathered lichen species found on The Ness, ground them nearly into dust, glued the resulting powder onto a length of cassette tape, played and recorded the lichened tape, then stretched the recording to ten times its original length Ð before splicing it and adding reverb and echo. The resulting tracks are fabulously unfaithful to their origins on the untrue island.","brand":"Midheaven","offers":[{"title":"Default Title","offer_id":39249226268854,"sku":"","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a1744074484_10.jpg?v=1614156406"},{"product_id":"john-encarnacao-tinderbox-lp","title":"John Encarnacao\/Espadrille - Tinderbox LP","description":"Tinderbox was composed by guitarist John Encarnacao as an aleatoric score for the play of the same name written by Alana Valentine and directed by Zo‘ Carides for Darlinghurst Theatre. It was performed live in the studio by improvising trio Espadrille.\n\nTinderbox is an album soaked in the heat haze of the Australian summer, played with great restraint by three musicians responding to both the requirements of a compositional frame and each other in the moment. Elongated instrumental textures drift free of pulse and tempo, the players suspended in the granular detail of timbral play. The album is a showcase for the three members of Espadrille, and perhaps particularly for saxophonist Brendan Smyly, whose timbres range from sweetly floating notes with microtonal inflections made eternal with self-administered delay, to free jazz overblowing. Drummer Joshua Isaac, known also for his electronic work, elicits gossamer cymbals and tectonic creaking from tom toms played with heavy chains. Composer\/guitarist John Encarnacao wields his instrument as both lightning rod and spectral presence, playing more timbrally than melodically and eschewing the standard tropes of guitar virtuosity.\n\n\u003ciframe style=\"border: 0; width: 100%; height: 307px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1173495052\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/psychopyjama.bandcamp.com\/album\/tinderbox\"\u003eTinderbox by John Encarnacao\/Espadrille\u003c\/a\u003e\u003c\/iframe\u003e","brand":"China Pig","offers":[{"title":"Default Title","offer_id":39249304060086,"sku":"PJ4915","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a0271068658_10.jpg?v=1614156913"},{"product_id":"tabua-harrison-scout-lp","title":"Tabua-Harrison - Scout LP","description":"Psychopyjama is very proud to announce the first release of a unique musical force. Tabua-Harrison makes music that is both completely improvised and absolutely accessible, with the visceral energy of rock, metal and funk and the intricacy and surprise of contemporary art music. Resident Psychopyjama artwork maestro Ryszard Dabek says of their debut album, Scout, \"at times the duo's work recalls other high-wire improv pairings such as John Coltrane and Rashied Ali on Interstellar Space as much as the restless creativity of Battles and the post-rock guitar stylings of Tortoise guitarist Jeff Parker.\"","brand":"China Pig","offers":[{"title":"Default Title","offer_id":39249304682678,"sku":"PJ4916","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a3335792430_10.jpg?v=1614156915"},{"product_id":"wasted-idol-d-free-az-a-collective-improvisation-by-wasted-idol-lp","title":"Wasted Idol - Free Az: A Collective Improvisation By Wasted Idol LP","description":"\u003cp\u003eFREE AZ is the second album by WASTED IDOL. Recorded on the Inner Rim of the Urban Fringe, 22\/12\/2013.\u003c\/p\u003e","brand":"Direct","offers":[{"title":"Default Title","offer_id":39269951340726,"sku":"","price":9.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a4079373890_10.jpg?v=1614499938"},{"product_id":"mamitri-yulith-empress-yonagunisan-d-yulith-lilith-2lp","title":"Mamitri Yulith Empress Yonagunisan - Yulith Lilith 2LP","description":"\u003cp\u003eThe new and highly awaited double studio album by Mamitri Yulith Empress Yonagunisan is here to blow away expectations. 23 tracks whose inventivity and originality are, properly, unheard. Free rock, shoegaze, folk, all categories rendered useless here. Two slabs of transparent vinyl housed in a superb serigraphed transparent sleeve.\u003c\/p\u003e","brand":"Direct","offers":[{"title":"Default Title","offer_id":39269955698870,"sku":"","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a0905956567_10.jpg?v=1614500071"},{"product_id":"klimperei-eric-chabert-sing-john-b-cornaway-d-dealings-lp","title":"Klimperei \u0026 Eric Chabert - Sing John B. Cornaway: Dealings LP","description":"\u003cp\u003eThe pataphysical toy music of Klimperei, a collective project lead since 1985 by Lyon based Christophe Petchanatz, does a lot out of many smalll things dismantled toys, organs with burst pipes, squeaking detuned guitars, loose broom.. Author of more than fifty records and tapes, disseminated on dozens of labels worldwide, Klimperei recreates a world within a world, where childhood's music boxes would have transformed into a carousel made for adults, where waltzes would have muated into progressive drunkard chants, where postpunk revisits lo-fi chamber music. An art of modesty and discretion that never gets in the way of audacity and ambition, but an ambition that steers away of commercial channels. Nino Rota or Erik Satie have often been conjured about him, one could also find parenthood with other unclassifiables such as Chris Knox, Pierre Bastien, Ghedalia Tazartes or Pascal Comelade. Sung in english by Eric Chabert, initiator of the Underground Productions label and sadly deceased just before the release of the record, the songs on Dealings are adaptations of poems by John B Cornaway (1957-1994), author of Heligoland , who published Petchanatz first texts while Chabert was releasing the first cassettes of his group Los Paranos and of Klimperei. 30 years later, to unite as if by accident those two fellows, is a kind of strange fiction', admits Petchanatz. John B's texts, I don't remember if it was me that sollicited them or if it was him that submitted them. Eric's singing, his voice, already engaged with Totentanz (1987) and Dents (2005\/2006), and this way we had to spend our afternoons, making music instead of mulling together over Eric's sickness. All of it fits. Over Chabert's scratchy voice, still manifesting all its vigor, Klimperei unload its makeshift bric a brac, convoking melodica, banjo and metallophone. Child like without infantilism, those little indelicate pieces sometimes show their teeth, but the bite is never violent\u003c\/p\u003e","brand":"Direct","offers":[{"title":"Default Title","offer_id":39269955895478,"sku":"","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/51NEGdnxTpL._AC.jpg?v=1614500078"},{"product_id":"vavenge-iv-lp","title":"Vavenge - IV LP","description":"\u003cp\u003eVavenge comprises the dual synth \u0026amp; vocal attack of Nick Dan (xNoBBQx) and Nicola Morton (Club Sound Witches), the gothic bass melodies of Anthony Guerra (Love Chants) along with the semi-random automated whizzer percussion contraption courtesy of Matt Earle (Breakdance the Dawn, etc). Their fourth release contains four lengthy, disembodied moods appropriate for zoning out within spacious surrounds. Each enveloping field whisks one away into a subtle background of negative density, pausing in time for a reflection on nothingness.\u003c\/p\u003e","brand":"Direct","offers":[{"title":"Default Title","offer_id":39269957566646,"sku":"PULLP14","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a3386835659_10.jpg?v=1614500142"},{"product_id":"thomas-hamilton-pieces-for-kohn-lp","title":"Thomas Hamilton - Pieces For Kohn LP","description":"\u003cp\u003eSpaced out bleeps \u0026amp; bloops and wild ARP synth freakouts from 1976! \"Pieces For Kohn\", as the title suggests, included four electronic pieces composed by Tom Hamilton as musical responses to 3D geometric paintings by artist Bill Kohn. A renowned audio producer and electronic composer, among other many things, you’ve probably have seen Tom Hamilton’s name in the credits of many albums by Robert Ashley and on releases from labels like Lovely Music, Pogus Productions, New World Records, etc. Tom was first introduced to electronic music in 1965, while he was an undergraduate in Milwaukee, thanks to a lecture by Vladimir Ussachevsky illustrated with examples of electronic composers of the day: BŸlent Arel, Karlheinz Stockhausen, Pierre Henry, Milton Babbitt...Encouraged by his teacher, Thom David Mason, Tom started to build audio circuits and battery–operated boxes that produced or modified sounds. *Mental Experience\u003c\/p\u003e","brand":"Guerssen","offers":[{"title":"Default Title","offer_id":39281947672758,"sku":"Ment027","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/R-13446474-1554374806-9646_jpeg.jpg?v=1614668471"},{"product_id":"bomis-prendin-clear-memory-lp","title":"Bomis Prendin - Clear Memory LP","description":"\u003cp\u003eFormed in 1978, Bomis Prendin is a collective of experimental \"noisicians\" from Washington DC, pioneers within the DIY, Industrial, cassette culture and experimental electronics scene.\u003c\/p\u003e\n\u003cp\u003eUsing cassette recorders, mutated musical toys, electric guitars, bass, rewired circuitry, analog pedal effects \u0026amp; cheap keyboards, they recorded and released in the late 70s a couple of astounding flexi-discs (Test and Phantom Limb) which led to them being included on the infamous Nurse With Wound list.\u003c\/p\u003e\n\u003cp\u003e'Clear Memory' was originally released in 1984 only on cassette (50 copies) and it's an incredible example of DIY mutant psychedelic pop and homemade electronic weirdness which sounds years ahead of its time.\u003c\/p\u003e\n\u003cp\u003eHere's the first ever reissue.\u003c\/p\u003e","brand":"Guerssen","offers":[{"title":"Default Title","offer_id":39281947902134,"sku":"Ment030","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a3025504717_10.jpg?v=1614668474"},{"product_id":"gavil-n-rayna-russom-secret-passage-2lp","title":"Gavilan Rayna Russom - Secret Passage 2LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn Rayna's words...\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"I grew up in Providence, Rhode Island in the 1970’s and 80’s.  The booming jewelry and textile industries of the previous decades had pulled out by that point. The Italian mob ran most details of the day to day operations of the city. As kids coming up in that  environment, before the internet, me and the people I hung out with didn’t know anything else and we worked with what we had to entertain ourselves. We found places that had been forgotten by market interests and made them spaces of creative community building. One of the most special of these places was the East Side Rail Tunnel.  Running for almost exactly one mile beneath the city’s streets, the tunnel and nearby Crook Point Bridge were unsupervised autonomous zones where I tasted the possibilities of a world without surveilance. The tunnel was particularly important in my creative development because not only was it a marginal zone apart from monetized\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003espaces of creative consumption, but it also had specific experiential properties. It had a bend in it which meant that when you got to the middle of it you were in complete darkness, and I learned quickly that when you spend enough time in complete darkness you start to hallucinate, which I liked.  The acoustics were also remarkable; long natural delays and harmonic-reinforcing reverberances. Making any sound in there added layers of acoustic effects which made noises physical and fluid and, combined with the complete darkness, absolutely dissolved boundaries between internal and external experience. I started hanging out there when I was 14 and continued to return there regularly until development, gentrification and policing eventually made it inaccessible. By the mid ‘90s it was sealed off with progressively more impenetrable barriers. Nowadays it looks very different. This music is about some of the significant experiences I had in this beautifully neglected place and the people I had them with.\"\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Midheaven","offers":[{"title":"Default Title","offer_id":39298713780406,"sku":"","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/W25-14_web_1024x1024_0d211cc4-f959-449c-8ccc-ad52ff505172.jpg?v=1614902135"},{"product_id":"femme-ruderal-exotique-lp","title":"Femme – Ruderal Exotique LP","description":"\u003cp\u003eAfter their critically acclaimed “Chroma” LP (2017), Femme – Arno Bruil (France Sauvage, Descendeur) and Jo Tanz (Opéra Mort, Fusiller) – release “Ruderal exotique” augmenting their psychedelic electronics explorations in reconceived territories, this time an artificial growth of urban decay on irradiated nature as experienced within Ken Russel’s intoxicated and prodigious mind directing “Altered states”. Best experienced in an isolation tank, an airport capsule hotel or on a silent electric car chase buzzing thru Tim Buckley’s snapshot of smogged out L.A., “Ruderal exotique” is a flourish of slow burning synapses, the tiny magnetic connections that desperately cling and look for each other when your mind expects the hammer to finally realize the ordeal while your body languishes on a stone in the bright sun of Midsommar.\u003c\/p\u003e\n\u003cp\u003e“Ruderal exotique” is lounge music for Bob, or Bruce, or Fred, growing Mors Ontologica on the farm, in Dick’s “A scanner darkly”, a New-Path laid out by Throbbing Gristle’s Chris Carter now twisted and tangled even further, branching out from the future of technology back into the present of Zelazny’s “24 Views of Mt. Fuji, by Hokusai”. Growing new species as a result of destroying older species, life emerges from the industrial rubble that looks like scar tissue and smells like steel laced with lichen. To the biotech DIY apprentices of Femme, immersing in this cesspool of environmental data is a joy and their music glows in the dark of globalized waste as a symphony of gleaming flora and strident fauna.\u003c\/p\u003e\n\u003cp\u003eIt is as reassuring as Virginia Astley’s gardens, as vibrant as Steve Reich’s big city collages and as evocative as the Gerogerigegege’s “Uguisudani apocalypse”. It is a world of its own, yet it is also our world as it is today, AI machines advancing thru genetically modified corn fields, shredding up cicadas and worms, planting steel shards in their place that will rust and give way to the new machine, documented by Stephen Mallinder and Richard H. Kirk. Long live the new flesh of the Femme realist resistance!\u003c\/p\u003e\n\u003cp\u003e– Guy Mercier\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/762649948\u0026amp;color=ff5500\" __gcrchildframeremotetoken=\"fe9bb053308f825ae1dec40284dc0232\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/bruit-direct-disques\" title=\"bruit direct disques\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003ebruit direct disques\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/bruit-direct-disques\/femme-a6-v5\" title=\"Femme - A6\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eFemme - A6\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Direct","offers":[{"title":"Default Title","offer_id":39453291577526,"sku":"BRD33","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a3729632514_10.jpg?v=1616899879"},{"product_id":"sook-yin-lee-adam-litovitz-jooj-two-lp","title":"Sook-Yin Lee \u0026 Adam Litovitz - jooj two LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn iconic Canadian media figure, Sook-Yin Lee is an award-winning filmmaker, musician, actor, visual artist and broadcaster who has immersed herself in myriad creative collaborations. Many of them were made with her life partner and frequent co-creator Adam Litovitz, including their 2015 ethereal electroacoustic album jooj. Though Litovitz passed away in 2019, his work with Lee lives on with jooj two, an unapologetic dive into playful art-pop and a document of a lost language between lovers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThere is an intentionality and inherent uniqueness to jooj two’s songwriting approach that first took shape by Lee responding to a musical phrase with vocal melodies and stream of consciousness lyrics. Those experiments were transcribed and delightfully interpreted by Litovitz, then returned to Lee for finessing. The resulting wordplay across eleven enigmatic and accessible tracks evokes the feeling of a new language being born.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003ciframe style=\"border: 0; width: 100%; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3947005386\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sook-yinlee.bandcamp.com\/album\/jooj-two\"\u003ejooj two by Sook-Yin Lee \u0026amp; Adam Litovitz\u003c\/a\u003e\u003c\/iframe\u003e \u003c\/p\u003e","brand":"Midheaven","offers":[{"title":"Default Title","offer_id":39649232748726,"sku":"773871019210","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a2015254608_10.jpg?v=1619581555"},{"product_id":"humbros-from-0-to-90-lp","title":"Humbros - From 0 to 90 LP","description":"\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eFrench experimental duo Humbros announce their debut album From 0 To 90. Formed from percussion and electronics, Humbros’ fried, fourth world-inspired, instrumental minimalism opens gateways to hazy, esoteric mythologies.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHaving formed over ten years ago, as teenagers, Nantes duo Simon (electronics and sax) and Charles (percussion) construct the music of Humbros on a semi-improvised framework. Rhythmic patterns, samples and melodic phrases act as marker points along each piece’s winding, free-flowing narrative, a musical communication honed over their years of collaboration to reach From 0 to 90’s clairvoyant levels of improvisational understanding.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe record’s wealth of exploratory sonics stems from Humbros’ unique combination of acoustic and electronic instrumentation. Simon and Charles line up recogniseable toms, congas, bells, and exotic wind instruments alongside a cryptic treasury of more curious artefacts: sound-distorting mirrors, wood, skins, metals, voice processors, and percussive stringed instruments. Combined with Simon’s modular synthesis and treated saxophone, this journey from heady, pulsating polyrhythms to sparse, chirruping insects of tropical concréte digs deep into hypnotic, meditative textures (they are never\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e“jams”) whilst maintaining a deeply philosophical, conceptual relationship with the energies generated.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eConstantly positioned in an intersection, in balance between acoustic and electronic sound, Humbros acts as an exploration of the “in-between”, produced by the marriage of two distinct timbral approaches. They sit between repetitive minimalism and illuminative free-jazz; between angular patterns and lysergic, dripping textures; human fragility and sci-fi sound-design.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e - Knotwilg Records\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCover art by Gaspard Casimir\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Knotwilg Records","offers":[{"title":"Default Title","offer_id":39783741227190,"sku":"KW15","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a0205232206_10.jpg?v=1622093654"},{"product_id":"double-goocher-shop-the-kaplan-text-lp-one-sided","title":"Double Goocher Shop - The Kaplan Text LP (One sided)","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003e\"\u003cspan data-mce-fragment=\"1\"\u003eDouble Goocher Shop is Matthew Hopkins and Renato Grieco. As the title suggests, The Kaplan Texts is derived from the written word and while it starts off somewhere near sound poetry, the surprising amount of ground covered creates a captivating side. I’ll leave the specifics untold but what I thought was going to be a piece for voice\/tape manages to at evoke some Laurie-Anderson-meets-Barbershop vocal harmony and Matthew’s previous work in the fantastic Vincent Over The Sink.\" - Nic\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Kaplan Texts\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is based on a book Renato produced for the project Acherotipismo by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAl Mare\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Teatrum Botanicum 2018, PAV, Torino), inspired by the character George Kaplan from \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAlfred Hitchcock\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s film \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eNorth By Northwest\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Sections of the novel were subjected to repeated translational deformations to produce a number of scripts that \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDouble Goocher Shop\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e used to create this text-sound piece. The work is a cracked form of recitation, where character analysis, defamation, and fantasy blur into a ruffled realm of magnetic tape, scattered speech, phonopoetic umph, and concrète sound, coming out the other side to somehow find song.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/696822566\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/mphopkins\" title=\"MP Hopkins\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eMP Hopkins\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/mphopkins\/the-kaplan-texts-excerpt\" title=\"The Kaplan Texts (excerpt)\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eThe Kaplan Texts (excerpt)\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Direct","offers":[{"title":"Default Title","offer_id":39980326453430,"sku":"","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/DGS_3.jpg?v=1624406779"},{"product_id":"aymeric-de-tapol-lost-in-the-shell-lp","title":"Aymeric de Tapol - Lost In The Sheel LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAymeric De Tapol possess a warm \u0026amp; natural feel to their rhythmic pop-compositions. I immediately feel at home with their sound, and yet I’m struggling to pull any comparisons out of my behind.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eI think it’s because they feel ‘of’ an approach, rather than a concrete sound. In particular the hooked-on-Harmonia, moving away from ‘noise‘, “weird-punk” adjacent world I encountered about 15 years ago.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis could mean a Chooch-a-bahn show in Chippendale, Blues Control or a post-The Skaters project. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eSaying that, there’s no No Wave shronk or reclamation of New Age music here, prepare for plucky rhythms with oddly\/expertly arranged synth\/voice works on top.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Nic\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLimited \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003erun of 200 copies\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Knotwilg Records","offers":[{"title":"Default Title","offer_id":40215487971510,"sku":"","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a0986771702_10.jpg?v=1627189855"},{"product_id":"frederik-croene-f-c-me-fecit-lp-1","title":"Frederik Croene - F.C. Me Fecit LP","description":"\u003cp\u003e\u003cspan\u003eThe reciting of vows, the exchange of rings, the nuptial blessing: the Catholic rite of marriage centers around well-structured passages of a sacramental nature. When Frederik Croene was asked to rethink the musical settings for a wedding mass of a couple of friends, he got intrigued by the challenge of playing the Van Peteghem organ at St. Peter’s Church in Gent.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe family of its creator Pierre Van Peteghem was famous in the Romantic period for their exquisite organ constructions. It was not the first time Croene made improper use of traditional instruments: for his album ‘Le Piano Démécanisée’ (AudioMER, 2010) he turned to the frame of a piano, navigating between the classical repertoire and radical deconstruction of the musical idiom. With Timo Van Luijk (aka Af Ursin) he released ‘Voile au Vent’ (La Scie Dorée, 2009), creating a haunted cosmos of classical instruments pushed to the edge.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImpressed by Croene’s exploration of the Van Peteghem organ, B.A.A.D.M. invited him to return to this massive instrument for a recording of his battle with the registers of pipes and pedals. ‘F.C. Me Fecit’ is the result of hours of variations high up in the organ loft of the St. Peter’s Church. Recorded during stormy weather, this album reflects the different moods instilled by the idea of an\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eeternal alliance between people. Alternately connecting and disconnecting with the organ, Croene’s polluted chords unfold a world of archaic aesthetics and romantic ambiguity.\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003eIn the split universe of both album sides of ‘F.C. Me Fecit’ (a deliberate wink to artistic mastery), Croene tames the organ and puts you under its spell.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 208px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3832490910\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/baadm.bandcamp.com\/album\/f-c-me-fecit\"\u003eF.C. Me Fecit by Frederik Croene\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Direct","offers":[{"title":"Default Title","offer_id":40617161654454,"sku":"","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a3578802233_10.jpg?v=1632197916"},{"product_id":"dale-berning-the-horse-stories-lp","title":"Dale Berning - The Horse Stories LP","description":"\u003cp\u003eFrom Bo'Weavil... At the top of a carpeted staircase in a Georgian country home a blue wooden rocking horse stands completely still in front of a closed window with a view out onto the green hills and trees and fields beyond. A child rides a stationary wooden horse and travels to faraway places without ever leaving the security of his room. The movement of a rocking horse is similar to that of a cradle, or a swing, or a lullaby. Its about being quiet, its about balance, its about being at home and thinking of elsewhere.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Horse Stories is a collection of soundtracks by Dale Berning. All tracks were originally compossed for Hiraki Sawa’s film Going Places Titting Down, commissioned by the Hayward Gallery and Bloomberg London, for Waterloo Sunset, the Dan Graham Pavilion at the Hayward in November 2004. It is a piece about make-believe journeys to far-away places (at the tips of your fingers, between the cracks in the floor at your feet, on the edge and behind the door, right here where you are, close-by…). These tracks are released as The Horse Stories on vinyl on Bo’Weavil Recordings in 2006.\u003cbr data-mce-fragment=\"1\"\u003eFor the soundtrack dale used sounds belonging to the country house and garden in which Sawa filmed – water running in the upstairs bathroom; rain water dripping on the stones outside the kitchen door, sparkling water in a glass on the table, the wind-chime and the clock and the record player… And then the sounds of music boxes being played – one elaborate antique music-box with bells the shape of bees and a miniature hollow drum, and other simple music boxes, playing only one tune each, tiny naked metallic combs and drums and handles.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt the core of all Dale Berning’s sound work lies a deep interest in ideas of aliveness, of space and the awareness of time passing, of breathing and being still and of listening. And of the possibility of grace.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2367903311\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/flau.bandcamp.com\/album\/the-horse-stories\"\u003eThe Horse Stories by Dale Berning\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bo'Weavil Recordings","offers":[{"title":"Default Title","offer_id":40920759304374,"sku":"Weavil 07","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/0022701134_10.jpg?v=1637811936"},{"product_id":"eyes-of-the-amaryllis-sift-lp","title":"Eyes of the Amaryllis - Sift LP","description":"\u003cp\u003eDebut LP from this new Philadelphia four-piece whose members include Siltbreeze, Blackest Ever Black, Vitrine, Cor Ardens, \u0026amp; Kashual Plastik alumni. With one sought-after tape behind them the band attempt a surreal approximation of nice music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTheir general merriment and creative fervour was captured in recordings over a few chance family dinners and channelled through a selection of poorly tuned instruments and detritus.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSongs collapsing into abstraction, or vagueness uniting in melody, Sift captures the moment between one thing ending and another beginning. Teen girlfriends mumbled bedroom jams striking the secret chord. Alchemy from the ashes. The sound of ideas and ideals.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough conceptually akin to fellow Philadelphian Sun Ra’s Strange Strings, Sift likens to sounds from the early 4AD catalogue, Flying Nun’s slowest hitmakers, or Förlag För Fri Musik’s stock-in-trade.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePresented on black vinyl in a printed disco bag with an A4 riso insert \u0026amp; obi band.\u003c\/p\u003e\n\u003cp\u003e- Horn Of Plenty\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3120600386\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/horn-of-plenty.bandcamp.com\/album\/sift\"\u003eSift by Eyes of the Amaryllis\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Direct","offers":[{"title":"Default Title","offer_id":41263618916534,"sku":"","price":21.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a2999517849_10.jpg?v=1646273691"},{"product_id":"david-behrman-viewfinder-hide-seek-lp","title":"David Behrman - ViewFinder \/ Hide \u0026 Seek LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlack Truffle is thrilled to announce ViewFinder \/ Hide \u0026amp; Seek, a new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Last heard from on Black Truffle as part of the collaborative art song\/live electronics madness of She’s More Wild, these recordings find Behrman continuing the pioneering work in interactive electronics that have established him as one of the major living experimental composers.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide A presents excerpts from two live realisations of Unforeseen Events (1989), the fourth in a series of pieces focussing on the interactions between instrumental performers and responsive software. Like the classic earlier works in the series, On the Other Ocean (1977), Interspecies Smalltalk (1984) and Leapday Night (1986), Unforeseen Events is an “unfinished composition” in which a computer system listens for and responds to specific pitch cues from an instrumentalist. Performed by the composer on electronics and Werner Durand on soprano saxophone in Berlin in 1989, the first realisation immediately ushers the listener into an environment of long soprano notes, lush, sustained synth harmonies, randomised percussive interjections and distantly burbling arpeggiated\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003epatterns.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 1999 realisation recorded in New York with Jon Gibson on soprano shows how much room for the instrumentalist to affect the course of the music exists in Behrman’s interactive pieces, in which, as he notes, ‘performers have options rather than instructions’. Beginning in a roughly similar area to the version with Durand, this later recording eventually becomes substantially more active, as polyrhythmically layered arpeggios and percussive patterns respond to fast chromatic lines and dynamic phrases from the saxophone, moving Gibson in turn to respond with cycling figures and moments of extended technique that touch on the soprano languages pioneered by players like Steve Lacy and Evan Parker. Yet even at its most active, the lack of conventional forward movement in the music allows it to retain what Behrman’s friend Jacques Bekaert called its ‘fragile tranquillity’, as episodes of activity appear only as momentary disruptions of an underlying calm.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the B side, we are treated to a new collaborative work from Behrman and Werner Durand, building on the 2002 installation work ViewFinder, in which a camera detecting physical motion triggered changes to electronic sound. The piece presented here is a long-distance studio construction, recorded by Behrman in the Hudson Valley and Durand in Berlin, offering up an expansive duet between Behrman’s lush, gliding synth tones and the alien, untempered tones of Durand’s invented and adapted wind instruments. Presented in a stunning gatefold sleeve with art from Terri Hanlon, archival photographs and new liner notes from Behrman and Durand,ViewFinder \/ Hide \u0026amp; Seek is an essential release showcasing the continuing vitality of a legendary figure in experimental music.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e - Black Truffle\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 274px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3655761902\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/blacktruffle.bandcamp.com\/album\/viewfinder-hide-seek\"\u003eViewFinder \/ Hide \u0026amp; Seek by David Behrman\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Nice Music","offers":[{"title":"Default Title","offer_id":41326344536246,"sku":"","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a2479485592_10.jpg?v=1648382572"},{"product_id":"avvitagalli-none-corsa-lp","title":"Avvitagalli - None Corsa LP","description":"\u003cp\u003e\u003cspan\u003eHorn Of Plenty has become one of our go-to labels. They're consistently peddling goods on our favoured side of the experimental music landscape, but often pushing those sounds to something near what even conservative music listeners would consider \"music\".\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMaybe because I'd listened to Herbie Hancock's Sextant (his best??) beforehand but the Italian duo of Avvitagalli feels almost like Mosquitos deconstructing the initial era of Jazz-embracing-electricity, instead of post-punk. Or if the ghost of Eric Dolphy inhabited the body of a Penultimate Press recording artist. Sheesh, it's also kinda like the most BBC radiophonic workshop-y bits of those recent Broadcast reissues. - Nic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------\u003c\/p\u003e\n\u003cp\u003eDebut vinyl outing for Valentina Magaletti and Pino Montecalvo’s Avvitagalli project.Variegated percussion + WTF jams inspired by a visit to an abandoned, torched palazzo somewhere in southern Europe. Its charred, decaying splendour casts a fitting backdrop to the surreal push-pull of Valentina \u0026amp; Pino’s aural capers. None Corsa explores presence and absence, purpose and chance, and the tension between serenity and disquiet. Composing and decomposing, grabbing at modern composition, jazz, dub and post punk along the way.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNone Corsa comes on black vinyl with a full colour cover and a striking 24 page zine with photography by Adele Di Nunzio. - Horn Of Plenty\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=867036382\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/horn-of-plenty.bandcamp.com\/album\/none-corsa-2\"\u003eNone Corsa by Avvitagalli\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n","brand":"Direct","offers":[{"title":"Default Title","offer_id":41481206759606,"sku":"","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a1336947754_10.jpg?v=1652962735"},{"product_id":"vindkaldr-abyssos-symphonia-lp","title":"Vindkaldr - Abyssos Symphonia LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\" id=\"package_description_0\" class=\"peekaboo-text\"\u003e A period of recent seeming silence sees Vindkaldr return to gleaming radiance in Abyssos Symphonia, a deeply rich harvest of atmospheric depth and a furthering of the compositional mastery that composer Mauhulakh so exemplifies. In previous works such as Ambient I, Enchantments Of Old Lore and Miscreantic Mysteries And Invocations, Mauhulakh’s compositions harkened back far and deep into the wordless and silent knowing of inner mystery. Like a gleaming fire glow reflecting against the backdrop of a voided emptiness, these collections invite the listener to pursue foregone visions and tales on the cliff edge of life, nature and death, yet appear shrouded in a soft and wise allusiveness. They are ancient stories, yet lie deep beyond the depths of a mere nostalgic yearning. In comparison, “Abyssos Symphonia” is grandiose in its delivery, a profound orchestral palette painted rich on the pillars of depth and nuance, the height of an evolution burgeoning forth with sheer force and confidence. Strength abounds in a swirling dance of dynamic and unencumbered emotional expression, yet the thread from previous works is wholly apparent. If there ever was a modern composition so perfect in its gleaming radiance, yet turned from the world and hidden from the gloss of modern ostentatiousness, Abyssos Symphonia is that song. - Brilliant Emperor\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 241px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1581879977\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/brilliantemperor.bandcamp.com\/album\/abyssos-symphonia-2\"\u003eAbyssos Symphonia by Vindkaldr\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Brilliant Emperor Records","offers":[{"title":"Default Title","offer_id":41498209550518,"sku":"","price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a4202768580_10.jpg?v=1653542267"},{"product_id":"alterations-up-your-sleeve-lp","title":"Alterations - Up Your Sleeve LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn process of stocking, edition of 500 copies with a numbered 4-page insert ** Previously released in 1980 on \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDavid Toop\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eQuartz\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e label at a time when improvised music in London was settling into a long spell of excellence. The players here are \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSteve Beresford\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePeter Cusack\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTerry Day\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDavid Toop\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Terry had been a member of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe People Band\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e in the 60s, one of the groups forming part of the first wave of British improvisation. The rest of the group could be regarded as pioneers of a second generation of improvisers who emerged out of the explosion of musical development that came in the wake of \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAMM\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDerek Bailey\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSpontaneous Music Ensemble\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, etc. Out of this burst of musical energy a platform soon emerged in the form of the \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLondon Musicians Collective.\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e A permanent venue and an open network were soon established and the seeds were planted for a wide range of new and exciting players to explore the possibilities of free improvisation.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe first \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAlterations\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e LP from 1978 exemplifies this, with new ideas literally brought to the table - alongside the numerous conventional instruments played by the group, a plethora of simple musical toys, sound makers and home made instruments were used. \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eUp Your Sleeve\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is their second LP and operates in a similar territory, but takes things to another level with its casual embrace of noise and feedback, and somewhat controversially for improv; fragments of familiar songs and a hearty indulgence in rhythm. In short, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eUp Your Sleeve\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is free improvisation drawn from a very broad range of components. It should be said that all the members of the group were also at the same time in bands that played songs, most notably Steve’s involvement with \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Slits\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Flying Lizards\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e. David also briefly basked as a Lizard, but all four members were singing the same tune in both \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe 49 Americans\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Promenaders\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Maybe it’s not so surprising to hear stylistic clashes exploited on this record.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLondon was awash with musical development in the early '80s. Apart from the burgeoning LMC scene there were many post punk and experimental groups like \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis Heat\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSwell Maps\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e that enriched the creative atmosphere. London labels like Quartz along with \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRecommended Records\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, It’s War Boys, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eIncus\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eIndustrial\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUnited Dairies\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eand countless others were all releasing ground breaking experimental music. It was arguably the best time for experimental music in London. There was certainly something in the air. - Paradigm Discs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 373px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2157784092\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/alterations3.bandcamp.com\/album\/up-your-sleeve\"\u003eUp Your Sleeve by Alterations\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Direct","offers":[{"title":"Default Title","offer_id":41647336685750,"sku":"","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a0910521298_10.jpg?v=1658287592"},{"product_id":"daniel-thorne-lines-of-sight-lp","title":"Daniel Thorne - Lines Of Sight LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eErased Tapes presents the invigorating and powerful debut solo album Lines of Sight by Australian-born, Liverpool-based composer, saxophonist and founder of Immix Ensemble, Daniel Thorne.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDeeply moving, full of otherworldly beauty and rapture, the album is alive, throbbing like a circulatory system, colourful and glowing. It literally dazzles – effectively capturing what the birth (or death) of a planet might sound like.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe style=\"border: 0; width: 100%; height: 340px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=440273596\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/danielthorne.bandcamp.com\/album\/lines-of-sight\"\u003eLines of Sight by Daniel Thorne \u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Inertia","offers":[{"title":"Default Title","offer_id":41771315069110,"sku":"ERATP119LP","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a3641372463_10.jpg?v=1662690590"},{"product_id":"final-it-all-comes-down-lp","title":"FINAL - It Comes To Us All LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eJustin K Broadrick (Godflesh, Jesu, JK Flesh) breathes new life into his FINAL project for an album on Helm’s ALTER label. Formed in 1984 out of an obsession with the industrial, noise \u0026amp; power electronics acts of the early eighties, FINAL made its public debut at the legendary Mermaid pub in Birmingham when Broadrick was just 14 years old. A string of cassette releases via his Post Mortem Rekordings label established the name within the underground noise scene of the time until increased activity with his various groups (Napalm Death, Head of David and later Godflesh) meant that FINAL naturally fell by the wayside before the end of the decade. Broadrick reactivated the project in 1993 during the British ambient “isolationism” period and FINAL's sound became focussed more on texture, producing beatless ambient work with a number of albums for labels like Sentrax, Utech, No Quarter and Neurot. ‘It Comes To Us All’ is the first FINAL album to appear on vinyl since 2015’s ‘Black Dollars’ on Downwards and continues to explore the textural nature of Broadrick’s ambient work - this time through a filter of blown-out harmonic noise that reconnects the project with its harsher roots. Rather than channelling the angst of early power-electronics, the noise here rumbles along blissfully through 8 untitled tracks\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, sombre in tone and at times beautiful. Melodies sampled from pop music are put through a process of decay, stripped of their form and worn down with a rusty, melancholic afterglow. Reducing all its parts to slow-motion shadows of their former selves, ‘It Comes To Us All’ is an exploration of the decay of all living things that we face collectively, day after day.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003ciframe style=\"border: 0; width: 100%; height: 406px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=624978747\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/final1.bandcamp.com\/album\/it-comes-to-us-all\"\u003eIt Comes To Us All by FINAL\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e","brand":"Alter","offers":[{"title":"Default Title","offer_id":41841635098806,"sku":"","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a3417408992_10.jpg?v=1664769682"},{"product_id":"atasie-abasie-molecular-gamelan-lp","title":"Astasie-abasie - Elliptical Gamelan LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis album is the second in a series of experiments exploring the magnification of the insignificant sounds of small metal objects such as washers.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe chaotic but inherently repetitive patterns created by the interaction between the objects has been realised through a minimum of gestural action by way of a number of distancing strategies, such as the use of hand drills, film winders and motorised drills\/screwdrivers.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAstasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performing gesture of the artist from the compositional process. The compositional process is, in this sense, aleatory and close to automatic. Much like field recording, sounds are found rather than performed or manipulated. Modified, or ‘prepared’ turntables are often used to bring\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eabout the sounds, after which any editing of the material is kept to a minimum. \"Elliptical Gamelan\" is the follow-up album from \"Molecular Gamelan\" (2021,sham115).\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1011565262\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/shamefilemusic.bandcamp.com\/album\/elliptical-gamelan\"\u003eElliptical Gamelan by Astasie-abasie\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Shame File Music","offers":[{"title":"Default Title","offer_id":41857322909878,"sku":"","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a2626416569_10.jpg?v=1665195747"},{"product_id":"copy-of-arnold-dreyblatt-paul-panhuysen-duo-geloso-lp","title":"Bergisch-Brandenburgisches Quartett - Live '82 LP","description":"\u003cp\u003e\u003cspan\u003eBlack Truffle is pleased to announce a major archival discovery from the wildest outer fringes of the FMP universe, the Bergisch-Brandenburgisches Quartett’s Live ’82. The Bergisch-Brandenburgisches Quartett (BBQ) was formed in 1980 in Rostock, East Germany, when three of the most radical and riotous members of the West German free music scene—reedist\/accordionist Rüdiger Carl, percussionist Sven-Åke Johansson and Hans Reichel on violin and his modified ‘strange guitars’ — first played as a quartet with East German saxophonist Ernst-Ludwig Petrowsky. A rare example of a working band with members from both sides of the wall, during its lifetime the BBQ left only one recorded document, a studio LP on Amiga, the pop and jazz sublabel of the GDR state-run Deutsche Schallplatten Berlin. Neither pure fire music nor orthodox free improvisation, the four members of the BBQ shared an all-embracing aesthetic where quotes and jokes sat comfortably alongside radical extended techniques and sonic experiments.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBeautifully recorded at the 1982 Moers festival, the music presented here is a kaleidoscopic demonstration of what Johansson has called the BBQ’s ‘free postmodernism’. Beginning with a fractured landscape of clarinet flourishes from Petrowsky, Johansson’s\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003espacious drums accents, banjo-esque plucks from Reichel’s handmade guitar and the groans and squawks of Carl on cuica, the music lurches between flowing melodicism and stunted locked grooves, settling after a few minutes into a lyrical clarinet and bass clarinet duet accompanied by shimmering guitar chords and some inexplicable percussive rotations. When Petrowksy starts to unfurl long, flowing flute lines accompanied by hand percussion, the music suddenly recalls Don Cherry’s global fusions, but this turn to the folkish quickly takes on a more European character when Carl and Johansson pick up accordions for the first of several comical but oddly moving duets. The more frantic second half of the set takes in a raucous digression into honking R\u0026amp;B, an Ayler-meets-Schlager romp with almost rockish chordal accompaniment from Reichel and an outrageous free jazz blowout with Carl on accordion, not to mention episodes of Johansson’s signature improvised Sprachgesang and antics with his expanded percussion set up, including items such as shoe stretchers and the Berlin yellow pages, which more than once cause the audience to burst into laughter.\u003cbr\u003e\u003cbr\u003eArriving in a beautifully designed sleeve with copious archival photographs and flyers from Johansson’s collection and extensive new liner notes from Francis Plagne, Live ’82 is a major historical document that remains both musically challenging and immensely entertaining forty years on.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 208px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3327377667\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/blacktruffle.bandcamp.com\/album\/live-82\"\u003eLive '82 by Bergisch-Brandenburgisches Quartett\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Nice Music","offers":[{"title":"Default Title","offer_id":42062882930870,"sku":"","price":32.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a0911952503_10.jpg?v=1674174709"},{"product_id":"copy-of-uri-katzenstein-audio-works-2lp","title":"crys cole - Other Meetings LP","description":"\u003cp class=\"p1\"\u003eIt feels unfair to label crys cole’s latest work a “lockdown album” (which at this point in time, would understandably garner an eye roll) even if that’s the context within which it was created, but it seems to move beyond the cliches of that era\/genre\/trope.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTwo quiet sides, each split into four sections that interweave gently throbbing synths, gurgling close mic’d and processed domestic sounds, dreamlike field recordings, and hints of the outside world from behind panes of glass. Where the notion of the lockdown album suggests the claustrophobia of being stuck inside, Other Meetings conjures the surreal nature of an altered world or the meditative time spent alone.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e-Mitch\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Nice Music","offers":[{"title":"Default Title","offer_id":42062889418934,"sku":"","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a1234684961_10.jpg?v=1674175230"},{"product_id":"copy-of-alvin-curran-fiori-chiari-fiori-oscuri-lp","title":"Alvin Curran - Drumming Up Trouble LP","description":"\u003cp\u003e\u003cspan\u003eBlack Truffle is thrilled to announce Drumming Up Trouble, the first release of previously unissued music by Alvin Curran on the label. Collecting works recorded between 2018-2021 and a side-long epic dating back to the early 80s, as the title suggests, Drumming Up Trouble focuses on a hitherto almost unknown aspect of Curran’s encyclopaedic and omnivorous musical world: his experiments with sampled and synthesised percussion. As Curran’s wonderful, wildly sweeping liner notes make clear, his fascination with drumming belongs to the radical investigation of music’s fundamental elements that has marked his output since the beginnings of MEV, who aimed (as he says in a recent interview) to return ‘in some collective way to a non-existent start time in the history of human music’. Whatever kind of music our proto-human ancestors played, he writes, ‘drums were front and centre in the mix. Drums rule!’\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn a paradox typical of Curran’s approach, Drumming Up Trouble interrogates this most ancient dimension of music with contemporary technology. On the first side, we hear recent pieces performed using the sampling software and full-size MIDI keyboard setup Curran has refined since the 1980s. Two of them are wild real-time improvisations, primarily utilising an enormous bank of hip-hop samples\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e. Building from polyrhythmic layers of drum machine fragments to wild cacophonies of clashing vocal samples, scratching, and frantic pitch shifting, these energetic and at times hilarious pieces occupy a space somewhere between John Oswald’s Plunderphonics, Pat Thomas and Matt Wand in the Tony Oxley Quartet, and the propulsive Kudoro\/Grime fusion of Lisbon’s Príncipe label. They are improvisations are accompanied by two austere, minimal compositions realised in collaboration with Angelo Maria Farro: ‘End Zone’ for orchestral bass drum and high oscillator, and ‘Rollings’, where a snare roll is gradually stretched and filtered by digital means into ‘floating electronic gossamer’.\u003cbr\u003e\u003cbr\u003eThe incredible breadth of Curran’s output makes it pretty unlikely that a listener familiar with his work would be surprised to find it branching out in a new direction. But no degree of familiarity with his work can really prepare for side B’s epic and bizarre ‘Field it More’. It’s perhaps best to let the maestro describe this unhinged and infectious offering in his own words: ‘It features an 8 bar funky minimal riff à la James Brown, played on synth and an-out-of-tune piano, synced to a pre-paid patch on the Roland drum machine. Over this is laid a heavily processed track of the voices of dancer Yoshiko Chuma and movie-maker Jacob Burckhardt discussing an upcoming performance of theirs at the Venice film festival, capped by a track of my playing an increasingly out of control blues over the top of all of the above’. Only Pekka Airaksinen’s Buddhas of the Golden Light comes to mind as a reference point that might even vaguely compare to this wild home-brew of drum-machine funk, mad improvisation and squelching electronics, which eventually dissolved into a massive, layered cluster. Ancient and modern, synthetic and human, hysterical and rigorous, Drumming up Trouble is 100% Curran.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 307px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3844907329\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/blacktruffle.bandcamp.com\/album\/drumming-up-trouble\"\u003eDrumming Up Trouble by Alvin Curran\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Nice Music","offers":[{"title":"Default Title","offer_id":42063014265014,"sku":"","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a0437213361_10.jpg?v=1674181348"},{"product_id":"chloe-sobek-apotropaic-lp","title":"Chloë Sobek - Apotropaic LP","description":"\u003cp\u003eNM presents the debut LP from Melbourne\/Naarm soloist and electronic composer Chloë Sobek.\u003cbr\u003e\u003cbr\u003eWhilst gripping stages and audiences alongside much of Australia's most adventurous composers and performers over the past 2 years, 'Apotropaic' appears following a series of self-released single track hints via her bandcamp. Sobek instantly soars to characterise her arresting first statement, flitting between sound collage as a looming vaporous threat, restless swathes of electronic pointillism and her unmistakable pneumatic rain of extended\/effected solo violone performance. Curiously, Sobek's instrument is a custom built violone; ostensibly a dynamic, spectral six-stringed baroque variation on the instrument we know today as double bass.\u003cbr\u003e\u003cbr\u003eWrenching the instrument for absurdist thrills and atonal mystique, Sobek's designs are a puzzle for the listener attempting to grasp the exact tone of 'Apotropaic'. An obsession with personal hidden meaning firmly buoys her sensibility when selecting a sound, inevitably spinning a labyrinthine cosmos that is at once both acutely figurative and intimately informed by Sobek's notions of the experiential.\u003cbr\u003e\u003cbr\u003eRecorded and mixed by Chloë Sobek and Vijay Thillaimuthu.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 373px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3796800282\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/chloesobek.bandcamp.com\/album\/046-apotropaic\"\u003e046 'Apotropaic' by Chloë Sobek\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Nice Music","offers":[{"title":"Default Title","offer_id":42137608487094,"sku":"","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a2642377644_10.jpg?v=1677814709"},{"product_id":"takashi-kokubo-andrea-esperti-music-for-a-cosmic-garden-2lp","title":"Takashi Kokubo \u0026 Andrea Esperti - Music For A Cosmic Garden 2LP","description":"\u003cp\u003e\u003cspan\u003eWRWTFWW Records is very happy to present a new collaborative album by Japanese ambient\/environmental legend Takashi Kokubo (Ion Series) and Italian \u0026amp; Swiss trombonist Andrea Esperti (Esperti Project): MUSIC FOR A COSMIC GARDEN.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded during the heights of the pandemic and completed in February 2021, the splendid ethereal soundscape created by Kokubo and Esperti is available in limited double LP, digipack CD, as well as digital.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTakashi KOKUBO is a Japanese environmental musician who produces healing music that gently resonates with people’s hearts. He has recorded “sound scenes from nature” in countries around the world using a binaural “CyberPhonic” microphone of his own invention, and incorporates these dimensional sounds of nature in his work. The founder of Studio Ion, he has released more than 20 albums that include the highly sought-after Ion Series. His track \"A Dream Sails Out to Sea, Scene 3\" was featured on Light in the Attic’s Grammy-nominated Kankyō Ongaku\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ecompilation.\u003cbr\u003e\u003cbr\u003eAndrea ESPERTI is a Swiss trombonist and composer originally from Puglia (Italy). He plays in multiple genres (classical, pop, world, electro, jazz) in an eternal approach of exchange and encounters. He travels the world, listening to others and interacting with their cultures, crystallizing his globe-trotting emotions through music projects. More info at\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/andreaesperti.bandcamp.com\/\"\u003eandreaesperti.bandcamp.com\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003eFor fans of environmental, ambient, cosmic escapes, meditative atmospherics, and gardening in space.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 406px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1074209848\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/wrwtfww.com\/album\/music-for-a-cosmic-garden\"\u003eMusic For A Cosmic Garden by Takashi Kokubo \u0026amp; Andrea Esperti\u003c\/a\u003e\u003c\/iframe\u003e","brand":"MGM Distribution","offers":[{"title":"Default Title","offer_id":42162400886966,"sku":"","price":54.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a0220662858_10.jpg?v=1679360086"},{"product_id":"io-audio-recordings-awaiting-the-elliptical-drift-vvk-lp","title":"IO Audio Recordings - Awaiting The Elliptical Drift \u0026 VVK LP","description":"\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cspan\u003eIO AUDIO RECORDINGS a bio-organic compound originally developed in Bakersfield, California at the height of the Vietnam War as the result of scientific experiments in the field of incompatibility. io audio recordings was later refined into its current state during the 1980’s and 1990’s as the result of studies conducted in the fields of frequency saturation, motorism, harmonic divination, transmolecularization, and isotope teleportation by top researchers in their respective fields such as Robert Hampson, Dr. Edward Moolenbeek, Peter Kember, and Steven Stapleton as well as the Newcastle Zoviet Collective and the Deutsch Kosmisches Kommune.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIO AUDIO RECORDINGS is comprised of unequal and ever shifting layers of noise, propulsion, surrealism, and serenity. It is ingested aurally and in doing so the user can and will experience a wide range of effects from euphoria to nihilism and everything in between. In one case study a user, one Harmut Enke, was reportedly heard exclaiming “it’s too beautiful” after ingesting IO AUDIO RECORDINGS. He then wandered off and was never heard from again.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe record features IO AUDIO RECORDING' latest EP's ('Awaiting The Elliptical Drift' \u0026amp; 'VVK') for the first time on vinyl. - Ramble Records\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 307px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2543561920\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ramblerecords.bandcamp.com\/album\/awaiting-the-elliptical-drift-vvk\"\u003eAwaiting The Elliptical Drift \u0026amp; VVK by IO Audio Recordings\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Ramble Records","offers":[{"title":"Default Title","offer_id":42170898317494,"sku":"","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a0357596705_10.jpg?v=1679976815"},{"product_id":"copy-of-io-audio-recordings-awaiting-the-elliptical-drift-vvk-lp","title":"Anemic Cinema - Iconoclasts LP","description":"\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cspan\u003eDial ‘M’ for Metal\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor a long time, the jazz community turned a blind eye to the existence of heavy metal. With its propensity for brutality, various occult themes and raging volumes, the genre had to deal with prejudices for years, but things have changed. Contemporary jazz\/improvisation heavyweights such as Craig Taborn, Matt Mitchell and Hilmar Jensson have not only expressed their love for heavy metal, but also incorporated some of it into their adventurous music practices.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNot surprisingly, really, as the much maligned genre has expanded into an embarrassment of richness, with bands not only vying for extremity, but also working with striking polymeters, exotic textures, genre-defying dynamics and even some improvisation. Also for Belgian guitarist Artan Buleshkaj, metal is a source of inspiration, and while some of that already seeped into his playing in other bands, Anemic Cinema is where he gives himself free reign.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe band name was taken from a short film by über-Dadaist Marcel Duchamp. Opening track “Oneirophrenia” refers to a dream-like state in which you start to hallucinate from a.o. exhaustion or sensory deprivation. It somehow fits the crushingly heavy music\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, in which Buleshkaj’s baritone guitar sounds as if he’s throwing thick slabs of meat into a grinder. There’s a massive growl in there that goes well with the unpredictability of the reeds and the surprising nimbleness of De Waele’s playing.\u003c\/span\u003e - Ramble Records\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 406px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1968813874\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ramblerecords.bandcamp.com\/album\/iconoclasts\"\u003eIconoclasts by Anemic Cinema\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Ramble Records","offers":[{"title":"Default Title","offer_id":42170905952438,"sku":"","price":24.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/products\/a1124716125_10.jpg?v=1679977584"},{"product_id":"ross-manning-some-technical-drawings-lp","title":"Ross Manning - Some Technical Drawings LP","description":"\u003cp\u003eRoss 'The Boss of Contemporary New Media Art' Manning returns with another sound\/art object that's sure to upset some concerned with the sanctity of pristine vinyl (contains three custom hand-applied locked grooves) that fawn over hefty gatefold sleeves that push the product into the next postage weight bracket (covers hand ripped by the artist).\n\u003c\/p\u003e\u003cp\u003e\nWhile Manning's kinetic sound sculptures work in the art world, I want to assure those sceptical of institutionalised music that the sounds here (and elsewhere in his catalogue) fit equally as well in a be-stilted, bong-ridden Brisbane house show, or any other independent spaces where weird and wild sound exploration lives.\n\u003c\/p\u003e\u003cp\u003e\nI hear kindred spirits in Club Sound Witches, Moondog and The Dead C (particularly Future Artists which clicked about 10 years too late). I love it's potential to upset untight \"trads\", and more importantly the sounds! - Nic\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 208px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2901312478\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/shamefilemusic.bandcamp.com\/album\/some-technical-drawings\"\u003eSome Technical Drawings by Ross Manning\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Shame File Music","offers":[{"title":"Default Title","offer_id":42264090869942,"sku":"","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/files\/a0418526506_10.jpg?v=1686270765"},{"product_id":"graham-lambkin-aphorisms-2lp","title":"Graham Lambkin - Aphorisms 2LP","description":"\u003cp\u003e\u003cspan\u003eLook up 'Lambkin-esque' in the dictionary and you'll see a photo of this guy, Graham.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAn unusual figure to be so widely sucked-off\/celebrated, his legacy is a reminder that good things can and do sometimes happen.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLambkin's aesthetic thumbprint in both The Shadow Ring and beyond is visible across many releases we've gone out of our way to stock and celebrate. I hear the unfamiliar asking, \"Well, what's he do then???\" A self-defined sound arranger (more so than a musician), Lamkin creates sound pieces often making something sublime out of the mundane; ordering environmental sounds, instrumental tinkering, incidental sounds, human actions into something subliminally affecting.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf you're already a Lambkin-head you'll already know 'Aphorisms', his first solo record since 'Community' (2016) is worth grappling with. No point describing the sounds and processes, as it's more than a sum of its parts. His definitely work? Ask me in 5 years.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eI am enjoying it! - Nic\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=98717812\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/blankformseditions.bandcamp.com\/album\/aphorisms\"\u003eAphorisms by Graham Lambkin\u003c\/a\u003e\u003c\/iframe\u003e\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003eGraham Lambkin (of Shadow Ring fame) returns with a long awaited epic double LP, Aphorisms, his first major solo outing since Community (Kye, 2016). Recorded mostly during the early winter months of 2022, in post-pandemic New York and post-Brexit London, Aphorisms assembles the sonic detritus of daily life into hauntingly intimate aural soundscapes. Made between Lambkin's residence in East London and Blank Forms in New York, Aphorisms superimposes the two spaces onto one another creating an imaginary stage where his musical dramas unfold. A transatlantic mediation on the rooms where Lambkin has lived and worked, Aphorisms summons up hallucinatory vistas by way of the composer’s collage technique, layering field recordings, piano, guitar, percussion, vocal fragments, and repurposed elements on top of one another in double, triple, and quadruple exposures. Like the Shadow Ring’s Lindus (Swill Radio, 2001)—recorded between Folkestone and Miami—Aphorisms ruminates on estrangement and displacement, catching Lambkin as he returns to London after two decades of living in the States, in his words, “leaving home to return\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ehome.”\u003cbr\u003e\u003cbr\u003eAphorisms continues Lambkin’s synthetic-naturalist approach to sound-making, twisting disparate and unique elements together to create the sensation of a coherent sonic space. At the heart of his practice is the illusion of form, whereby Lambkin combines sonic elements, documenting the moment that they coalesce into music only to disintegrate back into incidental sound. The album is centered around two pianos, one in New York and one in London, sounding together as if through the ether, creating a spectral atmosphere that Lambkin fills with melodic snippets, fragments of songs, spoken-word musings, and guttural barks or “the animal purity of voice,” as he has it. The superimposition of the two spaces is maximized in the album's closing titular track, where, much like on earlier works such as Salmon Run (Kye, 2007) and Softly Softly Copy Copy (Kye, 2009) fragments of familiar melodies float through the mix as though being played from afar. Aphorisms is Lambkin at his best, extending methodologies only hinted at previously and taking his now-idiosyncratic mission statement to a new chapter. If it ain’t broke don’t fix it.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Blank Forms Editions","offers":[{"title":"Default Title","offer_id":42289165828278,"sku":"","price":44.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/files\/a4196128615_10.jpg?v=1688434097"},{"product_id":"luke-altmann-transfusion-original-motion-picture-soundtrack-lp","title":"Luke Altmann - TRANSFUSION Original Motion Picture Soundtrack LP","description":"\u003cp\u003eDe la Catessen Records proudly presents a limited vinyl release of theoriginal score of the Stan Original film TRANSFUSION by AACTA nominated composer Luke Altmann (Franklin, The Leunig Fragments,Fell).\u003c\/p\u003e\n\u003cp\u003eTRANSFUSION is the first film to be directed by Matt Nable, and stars Sam Worthington as a former special forces operative who is thrust into the criminal underworld to stop his son being taken from him. TRANSFUSION had its World Premiere at the CinefestOz Film Festival in 2022, and has now been released internationally. Leaning into the sense of fragility, grief, and volatility of the film’s central characters, Luke Altmann’s original score for TRANSFUSION combines compelling performances from ensembles of understated and\u003cbr\u003egorgeously recorded drifting strings, trumpet, ronroco, and broken piano, with the visceral and barely suppressed dread of growling brass and orchestral percussion.\u003c\/p\u003e\n\u003cp\u003eTRANSFUSION is the second original soundtrack release by Luke Altmann on De la Catessen records, following his score for the celebrated cinematic feature documentary Franklin (dir. Kasimir Burgess).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=292970311\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/lukealtmann.bandcamp.com\/album\/transfusion-original-motion-picture-soundtrack\"\u003eTRANSFUSION Original Motion Picture Soundtrack by Luke Altmann\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"Direct","offers":[{"title":"Default Title","offer_id":42350799847606,"sku":null,"price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/files\/a4281450244_10.jpg?v=1692666245"},{"product_id":"wolf-eyes-wolf-eyes-w-spykes-lp","title":"Wolf Eyes - Wolf Eyes w\/ Spykes LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLP edition of a CDr originally recorded and released in 2000.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 307px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4412546\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/aarondilloway.bandcamp.com\/album\/wolf-eyes-w-spykes\"\u003eWolf Eyes w\/ Spykes by Wolf Eyes\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Fantastique HQ","offers":[{"title":"Default Title","offer_id":42382874149046,"sku":"","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/files\/a1480493194_10.jpg?v=1695358434"},{"product_id":"christian-mirande-beautiful-one-day-perfect-the-next","title":"Christian Mirande - Beautiful One Day, Perfect The Next LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBeautiful One Day, Perfect The Next is a tale of two halves and represents a significant development in Mirande’s practice as it combines a move towards a more musical approach while retaining his customary use of field recordings, spoken word and synth explorations.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe A-side consists of a number of seven queasy, iridescent synthesis pieces and haphazard interludes, bookended by two vocal pieces. The nauseous pitch-bent sonics and vocal musings have us wondering if there could have been a Werkbund record on Lovely Music, or recalls Paul De Marinis’ Music As a Second Language, whilst ‘Can’t Close My Hand In This Dream’ breaks up the inorganic sound with vinyl crackle and out of tune piano.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe B-side is occupied entirely by the title piece, opening with cool, electronics before developing into rolling ride cymbals, a driving bassline and streams of collaged spoken word reflections on childhood, loss and marine life.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eChristian Mirande (b. 1986) is an experimental musician from Philadelphia. He has used magnetic tape, various audio synthesis methods, and instruments including the fretless bass and the iphone voice memo. His work is often characterised as textural or atmospheric and deals with themes such as memory, loss, and faith.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHe has been a member of the groups Open Corner and The Flea Circus and has previously released works on Hanson Records, Recital, Vitrine and Glistening Examples.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor Fans Of – Out Of The Blue by Blue Gene Tyranny, Private Parts by Robert Ashley, Asmus Tietchens\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe style=\"border: 0; width: 100%; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=972733476\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/regionalbears.bandcamp.com\/album\/beautiful-one-day-perfect-the-next\"\u003eBeautiful One Day, Perfect The Next by Christian Mirande\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Fantastique HQ","offers":[{"title":"Default Title","offer_id":42382876246198,"sku":"","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/files\/a0702257489_10.jpg?v=1695359306"},{"product_id":"eyes-of-the-amaryllis-perceptible-to-everyone-lp","title":"Eyes of the Amaryllis - Perceptible to Everyone LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs the mist clears from their Sift LP (hop9) Eyes of the Amaryllis return to Horn of Plenty with the equally enigmatic Perceptible to Everyone.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded in various remote locations around the northeast of the US over a few warm months in 2022, Perceptible to Everyone maps the band's poetry in nebulous song forms that dance on their constant fission between pastoral and ghostly inner galaxies. Its eight tracks utilize a wide range of instruments and techniques to span an alien, ritualistic territory where melodies and rhythms appear from meandering passages of sound and ramshackle sci-fi settings. The culmination leaves Perceptible to Everyone gesturing as if it were an alluring otherworldly ethnographic document.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEotA’s non-idiomatic methods make comparisons difficult but traces of Smegma, early D.D.A.A, Garbage and the Flowers, The Tower Recordings, and Flaming Tunes will get you some of the way there. The rest is uncharted. - Horn Of Plenty\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 406px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4004166175\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/horn-of-plenty.org\/album\/perceptible-to-everyone\"\u003ePerceptible to Everyone by Eyes of the Amaryllis\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Central Bazaar","offers":[{"title":"Default Title","offer_id":42382883324086,"sku":null,"price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/files\/a1872901124_10.jpg?v=1695362126"},{"product_id":"bearer-praxis-2lp","title":"Bearer - Praxis 2LP","description":"\u003cp\u003eEmergence and retreat.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSounds by Jack Simmonds and Joe Simmonds\u003cbr data-mce-fragment=\"1\"\u003eMastered by Carim Clasmann\u003cbr data-mce-fragment=\"1\"\u003ePhoto by Anna Rømoke Hølseth\u003cbr data-mce-fragment=\"1\"\u003eDesign, edit, and layout by Peter Simmonds\u003cbr data-mce-fragment=\"1\"\u003eScreen printing by Gus Cantor and Tony Fordham\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThank you and sorry to everyone involved.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=722335634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ana-sound.bandcamp.com\/album\/praxis\"\u003ePraxis by Bearer\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Central Bazaar","offers":[{"title":"Default Title","offer_id":42384674357430,"sku":"","price":39.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/files\/a0960755358_10.jpg?v=1695532969"},{"product_id":"a-maiah-fricciones-lp","title":"A. Maiah - F(r)icciones LP","description":"\u003cp\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cem\u003eF(r)icciones\u003c\/em\u003e\u003cspan\u003e is a complicated piece of miscellaneous works. A set of experiments in preparation for a gig at a noise convention in Orozco that never happened, an 18 women choir piece composed for a soundtrack to a documentary that doesn’t have a release date yet or trying to create a drone piece by accumulating guitar noise. The result? Burnt psychedelic blues with electronics ” - Hegoa Diskak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 406px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=228345558\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/hegoadiskak.bandcamp.com\/album\/f-r-icciones\"\u003eF(r)icciones by A.Maiah\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Central Bazaar","offers":[{"title":"Default Title","offer_id":42384677470390,"sku":null,"price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/files\/a1331084173_10.jpg?v=1695534506"},{"product_id":"manas-with-n-r-safi-alone-we-are-alone-as-far-down-as-the-sediment-lp","title":"MANAS with N.R. Safi - Alone We Are Alone As Far Down As the Sediment LP","description":"\u003cp\u003eMANAS - otherwise known as the duo of iconoclastic guitarist Tashi Dorji and drummer extraordinaire Thom Nguyen - have made tsunami-sized waves in the free jazz and improv scene with their numerous tape and LP releases (drawing praise and support from such luminaries and fellow-travelers as Bill Nace and Ben Chasny) and their face-melting live shows, including high profile touring with Godspeed! You Black Emperor.\u003cbr\u003e\u003cbr\u003eBack in the summer of 2019 they invited N.R. Safi (Naujawanan Baidar and The Myrrors) to sit in with them at a show organized at Fleetwoods, a self-proclaimed \"rock and roll wedding chapel\" in Dorji and Nguyen's current home of Asheville, North Carolina. Captured on tape was roughly thirty minutes of raw and pummeling improvisation, guitar-become-drum-become-guitar, building and collapsing over and over again like a collective howl from the depths of a necrotic capitalist empire in decay.\u003cbr\u003e\u003cbr\u003e𝕴𝖓 𝖙𝖍𝖊 𝖘𝖙𝖆𝖙𝖊 𝖔𝖋 𝖘𝖎𝖊𝖌𝖊, 𝖙𝖎𝖒𝖊 𝖇𝖊𝖈𝖔𝖒𝖊𝖘 𝖘𝖕𝖆𝖈𝖊\u003cbr\u003e𝕿𝖗𝖆𝖓𝖘𝖋𝖎𝖝𝖊𝖉 𝖎𝖓 𝖎𝖙𝖘 𝖊𝖙𝖊𝖗𝖓𝖎𝖙𝖞\u003cbr\u003e𝕴𝖓 𝖙𝖍𝖊 𝖘𝖙𝖆𝖙𝖊 𝖔𝖋 𝖘𝖎𝖊𝖌𝖊, 𝖘𝖕𝖆𝖈𝖊 𝖇𝖊𝖈𝖔𝖒𝖊𝖘 𝖙𝖎𝖒𝖊\u003cbr\u003e𝕿𝖍𝖆𝖙 𝖍𝖆𝖘 𝖒𝖎𝖘𝖘𝖊𝖉 𝖎𝖙𝖘 𝖞𝖊𝖘𝖙𝖊𝖗𝖉𝖆𝖞 𝖆𝖓𝖉 𝖎𝖙𝖘 𝖙𝖔𝖒𝖔𝖗𝖗𝖔𝖜\u003cbr\u003e\u003cbr\u003e- 𝕸𝖆𝖍𝖒𝖔𝖚𝖉 𝕯𝖆𝖗𝖜𝖎𝖘𝖍\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 208px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1816373066\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ramblerecords.bandcamp.com\/album\/alone-we-are-alone-as-far-down-as-the-sediment\"\u003eAlone We Are Alone As Far Down As the Sediment by MANAS with N.R. Safi\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Ramble Records","offers":[{"title":"Default Title","offer_id":42394816512182,"sku":null,"price":19.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/files\/a0917087432_10.jpg?v=1696397116"},{"product_id":"wolf-eyes-difficult-messages-lp","title":"Wolf Eyes - Difficult Messages LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA selection of private press 45s featuring Nate Young, John Olson, Alex Moskos, Gretchen Gonzales, Aaron Dilloway \u0026amp; Raven Chacon. These collaborations between the core Wolf Eyes crew and friends was originally self-released as a series of super-limited 7” hand painted box sets, but now the core ‘hits’ have been compiled by Disciples for wider consumption.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWolf Eyes' history with collaboration goes back almost 26 years. From the first Wolf Eyes w\/Spykes concert that led to Olson joining the band to Smegma, Braxton, Richard Pinhas, Merzbow, Marshall Allen, and many more. Wolf Eyes has continued expanding musical ideas through collaboration and Difficult Messages is the first compilation of this practice.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMany of the bands on 'Difficult Messages' exist inside an assemblage of a mail art tradition. Most of the music was made remotely and this allowed for deeper exploration into styles that might have been too uncomfortable to attempt face to face. Short Hands finds Nate Young, and Alex Moskos exchanging bass and guitar fragments with Olson’s reeds and tones overtop sculpted into odd rock songs. Wolf Raven touches on harsh electronics and pushes forward into postmodern ideas of composition. Time Designers is a duo of Alex\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMoskos and Nate Young using hacked drum machines and a 'design' approach to organizing sound. U Eye finds Olson and Young alongside longtime collaborators Gretchen Gonzales and Aaron Dilloway for a scrape and tape session recorded by Warren Defever. Stare Case is Olson and Young in a non-Wolf duo. Perhaps the only 'rules following' project these two have EVER had. The collection of audio tracks could be looked at as an exquisite corpse: a method by which a collection of words or images is collectively assembled. With this method over thirty tracks and four hundred paintings were created.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e","brand":"Inertia","offers":[{"title":"Default Title","offer_id":42407010566326,"sku":"DISC14","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/files\/a0588833326_10.jpg?v=1696911445"},{"product_id":"wolf-eyes-dreams-in-splattered-lines-lp","title":"Wolf Eyes - Dreams In Splattered Lines LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eDreams In Splattered Lines fuses together Wolf Eyes' 25 years of DIY electronics with the avant-garde sensibilities of Fluxus and the granite of dreary Midwestern life. Continuing some of the ideas explored on the Difficult Messages record of collaborations, the result is a surreal dreamscape of disorienting sound collages, where hit songs are transformed into terrariums of sonic flora and decimated fauna. As if pulled from a fever dream, the surrealists of the 1960s converge with alien electronic blues musicians in an underworld of mystery. The air is thick with car wash radio white noise, crackling and fizzing like a toxic elixir, spoken word poetry transmissions as absurd and cryptic phrases. Each corroded aural environment is a microcosm of chaos, honed to razor-sharp precision. Swept away in a whirlwind of thirteen perplexing narratives, each one an unpredictable journey through subterranean worlds, a sonic trip of reality folded into itself.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003ciframe style=\"border: 0; width: 100%; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3332078647\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/wolf-eyes.bandcamp.com\/album\/dreams-in-splattered-lines\"\u003eDreams In Splattered Lines by Wolf Eyes\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/div\u003e","brand":"Inertia","offers":[{"title":"Default Title","offer_id":42407017414838,"sku":"DISC20","price":34.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/files\/a0809163437_10.jpg?v=1696911718"},{"product_id":"bidai-biarrezgaur-lp","title":"Bidai - Biarrezgaur LP","description":"\u003cp\u003e\u003cspan\u003eBiarrezgaur (not tomorrow, today) is a blissful and misty set of guitar tones entangled with effects and reverberation. Dreamy and reflective proto-blues-folk sketches that suggest a sense of matured serenity that only comes with years of practice. Spontaneous, gentle and free-flowing in equal parts, Biarrezgaur is a perfect autumnal recipe for those looking in the direction of Six Organs of Admittance, Loren Connors with Alan Licht, or even Robbie Basho or Albert Gimenez if you listen to the closing track Itzulera.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBidai (Trip) is the new collaborative project between two emblematic figures of the rich Basque musical heritage, Xabi Strubell \u0026amp; Mikel Vega. It took more than 30 years for their paths to cross, but we are very pleased they finally did in 2022. Entirely improvised with two guitars and effects, it was recorded at Bonberenea, the independent and self-funded cultural hub housed in an abandoned warehouse in Tolosa (in the valley of the river Oria).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eXabi is a writer, poet and musician from Hondarribia, a fishing village on the border with France. He started his career as a member of Dut, the seminal Post Hardcore band that any Basque kid growing in the 90’s and interested in feedback and distorted guitars will sorely remember, still a cult these days. He formed Zura in\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e 2005, a solo mature project focusing on acoustic guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMikel is an accomplished musician and all-around cultural activist from Bilbao. Has collaborated in numerous projects (Conteiner, Killerkume, Loan, Orbain Unit) and more recently with Miguel A. Garcia (also a member of Dopelganger, Heg008) and Joseba Agirrezabalaga (Lepok, Urpa i Musell beginning of 2023).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLimited edition of 300 black vinyl LP’s housed in a coloured matt laminated cover designed between Xabi Strubell, Mikel Vega \u0026amp; Mikel Acosta.\u003c\/span\u003e ” - Hegoa Diskak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 340px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1479468834\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/hegoadiskak.bandcamp.com\/album\/biarrezgaur\"\u003eBiarrezgaur by Bidai\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Central Bazaar","offers":[{"title":"Default Title","offer_id":42517674164406,"sku":null,"price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0525\/9119\/8390\/files\/a0438934030_10.jpg?v=1701150825"}],"url":"https:\/\/repressedrecords.com\/collections\/experimental-sale-1.oembed?page=2","provider":"Repressed Records","version":"1.0","type":"link"}